It is the fastest tracking on the market, especially if you have good picking technique (their neural net is very good at detecting pick transients). pitchbend wheel, modulation wheel or any MIDI Continuous Controller as a.
#MIDI CONTROLLER WITH FABFILTER TWIN PRO#
Thousands of producers using Fabfilters Pro Q (EQ), Pro C (compressor).
#MIDI CONTROLLER WITH FABFILTER TWIN SOFTWARE#
However, it costs 4 times as much and the hardware and software surrounding the core tech is an absolute shit show, so it's really hard to recommend. The extensive modulation options available in all the FabFilter plugins are. Hickory & Dickory Are Dedicated MIDI Controllers For Fabfilter Mixing Plugins. This is about half the latency of MG2, and tracks polyphonically much better. If you want even faster tracking, you can get a Fishman Tripleplay, which also uses a neural net, but also includes special hardware, a "hex" pickup which transmits each string independently. as well as built-in instruments, effects, and other stuff.
Tweakable velocity curves, gain, transpose, compression, etc. Supports pitch bends and vibrato, a big part of what makes guitar so expressive. ReaTune sends all notes at same velocity, so it's cool for screaming synth leads and whatnot, but not what you want for anything with dynamics. FabFilter Twin was a much more fleshed-out affair, with two oscillators, two filters with a variety of modes, and a clever. It use a neural net trained on guitar sounds. The original FabFilter virtual analogue, One, had a great sound, but due to its single oscillator and general lack of sound-sculpting muscle, it had a hard time stacking up against the competition. If you find you really like playing synths this way, MIDI Guitar 2 is worth looking at. The second MIDI track is MIDI Guitar 2, at ~4ms. That first MIDI track is Reatune, with a gap of ~8ms. It's easy to measure: just record the guitar signal and MIDI at the same time and measure the gap between the start of the guitar note and the MIDI note, like this. Pro tip: put ReaGate in front to reject some string/muting noises that ReaTune would otherwise interpret as notes. It doesn't support velocity or pitch bends, but tracking is great, spurious notes are fairly minimal, and latency is not that bad.
This works surprisingly well, given that it's built-in to Reaper and not really designed for this purpose.
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